Light is Life
With Hope
With Love

My Studio




Next ArtI’m on the border, between the fragrance and the presence; surpassing existence.



Art is Back



Students will learn how to use the arts for the Gospel, through a creative process in the workshop and in practical application in ministry. Students will learn basic techniques for drawing and painting.


This course inspires students who are artists or creative individuals, encouraging them to be more effective in how they manage art to reach the lost in a creative way.

Students will learn to express God’s love through prophetic and creative painting, inspiring them to seek God. We will work in teams, forming creative groups to develop redemptive art.



Carlos is a Mexican visual artist specializing in the disciplines of painting, sculpture, and graphics. His works have been exhibited in different galleries in the United States and Mexico. Some of his unique creations are permanently exhibited in the Northeast region of Mexico. Cázares received first place honors at the Sculpture Biennial sponsored by the Institute of Culture in Sonora, Mexico, in 2001.

Through his art, Cázares seeks to expose his heart to the light of the Creator, and constantly seeks a way to impress the life of God on his canvases. Through his experimentation with pigments and mineral deposits, he has found that materials such as gold and silver offer a beautiful refraction of light that enriches his work. His abstract works reflect his appreciation of ancient techniques and his pursuit of applying them in a contemporary setting.

Cázares is a visual graphic artist at Christ For The Nations Institute, where he teaches art instruction. He is also a curator and a board consultant of Renacimiento Cultural Foundation and a member of the board of Walk the Light Foundation in the city of Dallas, Texas.



I met Carlos twice.

The first time, among thousands of people who gathered for a concert. He went up the stage with a chair in his hands for one of the artists, who was pleading for a shining armor who would rescue her from fatigue. In those days he already knew how to fly.

The second time was at a Vladimir Cora exhibition. We agreed on his work and after that in our interests and goals. The bond that emerged in the middle of color and texture, shape and backgrounds, have remained against time and not only that, but have grown stronger regardless of distance. The year 2001 was beginning.

During this period, Carlos considered himself as a beginning artist. He never said so, but his humbleness did. He knew about his talent, because the Spirit invaded his being from head to toe, and in countless occasions I heard him say it was “by Grace”. But I also understood that he needed the next step. To increase his knowledge in the technique and to break that barrier of fear that is so common in us as human beings.  He was participating in a workshop for abstract painting with Professor Jordi Boldo, who visited Hermosillo, Mexico, as a Guest painter by the Cultural Institute of Sonora, (Instituto Sonorense de Cultura). During that time, he related with outstanding artists from Sonora, and had a chance to share his interests and recognized that feedback is imperative in developing as an artist.

He had previously taken some courses and workshops for welding in San Diego, California, drawing of human figure and etching, with Roberto Parodi and Antonio Pazos, in Hermosillo. His prior Academic formation took place in Bribiesca Art Institute in Guadalajara, Mexico, where he graduated as a Graphic Designer with a specialty in Illustration, and built the first tangible bridge with the visual arts. The intangible connection was inside of him, this was encouraged by his family from his early years.

Carlos the artist

A restless and industrious person under disciplines; with the best nature o fan artist. To break molds and paradigms in search for his own style is part of his life. This is Carloz. Painter, sculptor and designer. In his brilliant path, he has incorporated the knowledge that comes from the light and has discarded anything that interferes with his growth and the path his walking on. He learns, enriches and delivers a consolidated work to the spectator. Nobody knows the hours of invested effort, but we all feel the strength that we can see in the canvass, wood or metal.  We imagine a posible interpretation. Our perceptions defer, but in the end we have the certainty that the piece we have before us is worthy of contemplation.

Carlos Cazares travels from figurative to abstract. He has not detached himself completely from recognizable forms although he has decided to distort them to the human eye to show that the identified forms are unnecessary in the presence of God. The sense of his work goes beyond any practice, school, or technique. Generously projecting an orientation to wisdom and showing his position in this world and the inevitable commitment with the Truth.

He has dedicated himself to create a high quality work, through the research of different techniques and the search for expression, with the purpose to evoke subjects that will touch the deepest part of the human being, both spiritually and emotionally, through different disciplines like sculpture and painting. He is quite convinced that talent is a gift from heaven and must be well used in relationship with his environment. Should be multiplied, and to give that gift back is his compromise. Using that gift to talk about his relationship with God is a necessity.

The sculpture and painting of Carols Cazares have been exhibited in different spaces of Sonora and Jalisco, in Mexico; also in Indianapolis and Arizona (Museo de Arte Chicano), in The United States. His work is permanently exhibited in Hermosillo, in Sinomex an Israelite Company (sculpture in metal, 1999); Instituto Alerce (sculpture and mural, 1999) and Gándara Hotels (sculpture in metal and stone, 2000).

With his work “21 shots and still alive” (21 tiros y aun vivo) Carloz won the State’s 2001 Biennial for Sculpture, sponsored by the Government for the State of Sonora through the Instituto Sonorense de Cultura, in November 2001. He also obtained first place in the Contest for the design of the Gulf of California, sponsored by the WWF.GCP (Guaymas, Sonora, Mexico).

He integrated the following individual collections: Graphics in black ink, WWF (1999); Silence of life (painting and graphics, 2001); let there be light  (object art, sculpture and painting, 2002) and  Paradigms (object art and painting, 2003), which found worthy spaces in San Carlos and Hermosillo, Sonora, Mexico, and in Phoenix, Arizona, United States. In each of these collections, titles, color and form found a direction and in this process Carloz was affirmed as an author.

Carlos The Disciple

Carlos Cazares is in constant movement. His artistic work began to show since 1998. His missionary work would show three years later.  Up to this date he has been able to harmonize both passions, and make them part of the same goal: expression. An inherent need to the author and a job of the disciple.

Through  sculpture he has been able to calmly  develop his gifts, without pressures, unlike painting, for he suffers in conceiving each painting and he tears in the beginning, although after he owns the canvass, he transforms it, and makes it his own. Later peace comes to him… balance.

In “de la vida” (From Life) the author describes the depths of the human being, through carefully and peacefully examining, in a state of contemplation, the contradictions of our human nature. With his three-dimensional work “Sea la Luz” (Let there be light), he signed the path that he is walking and showed to the spectators the inevitable metaphor: the honesty, durability and transcendence of the metal, in representation of the life in Christ.  The “Paradigm” collection was, in a paradox the breaking of molds and established mindsets. In search for the only model to follow, the One who gives life and transforms.

After his Missionary trips to Costa Rica and India, Carlos has evolutioned considerable in every aspect. Body, soul and spirit have been fortified in one goal: to give. At his return, all of that internal fire has been, put into his artistic work, where he moves with love to his neighbor and love for God.

Before the age of 40, Carlos started the “40 Menos uno” collection (40 less one). The passion for the passion. In each piece, our sight can find a triumphant red over darkness. A rich scale of  red that manifest his knowledge, dominion and application  of color and technique, but above all, his certainty that this artistic representation of the lashes upon  the Lamb, bring the spectator the opportunity of hope for a path that leads to the light. There are no brush strokes; there are only strokes, lashes. The entire body of the author in this piece, experiencing pain. The suffering of the artist in relation to the suffering of Christ, evoking the hour when real freedom for the human race began. It is not a posture, is a decision.

Carlos believes in Grace which has given him the opportunity to express the gifts and talents that “Cannot be kept in hiding.

By Delma Daleth Monteón


Born in Mexico City, June 27, 1965

Graphic Designer

Art Courses and workshops 1999-2002


2003    “Paradigms”, Object Art and Painting

             Chicano Art Museum, Phoenix, AZ.

2002    “Let there be light”, Object Art, Sculpture

             and Painting

             Centro de las Artes, University of Sonora.

2001    “Life in Silence”, Painting and Graphics

             Cessaretti Art-Cafe,

             Hermosillo, Sonora, Mexico.

1999     Graphics in black ink

             WWF Gulf of California Project, San Carlos,

             Nuevo Guaymas, Sonora, Mexico.

2002    “40 Less One” Painting Collection

             American Fine Art Gallery, Dallas, Texas


2001    ISC Sculpture Biennial

            Hermosillo, Sonora, Mexico.

2001    Visual Arts “TODOS” Sonora

            Casa de la Cultura, Sonora

            Hermosillo, Sonora, Mexico.

2000    Art of Sonora

            Chicano Museum, Phoenix, Arizona.

2000    ISC First Art Biennial

            Sonora, Mexico.

2000    Shared Visions II

            Centro de las Artes, University of Sonora

            Sonora, Mexico.

1999    Shared Visions I

            Centro de las Artes, University of Sonora

            Sonora, Mexico.

1998    IV Sculpture State Competition,

            Casa de la Cultura, Sonora, Mexico.


2000   “Cave paintings.” Two sculpture pieces

             in iron and stone. Gandara Hotel

             Sonora, Mexico.

1999    “Earlier Formation.” Sculpture and Mural

             Instituto Alerce, Hermosillo, Sonora, Mexico.

1999     Untitled. Sculpture in metal for SINOMEX

             Sonora, Mexico.

2005    The Creation Mural, Christ for the Nations

            Dallas, Texas



Scottsdale, AZ

St. Matthew’s Cathedral Arts

Dallas Tx.

American Fine Art

Dallas TX


Dallas TX

CAFE Cesaretti

Sonora, Mexico



It has been a great privilege to share this journey with those who have seen the process of my work. Art, faith, love, and hope are daily occurrences in my life, which help me walk a fine line between rational understanding and intuition. Thank you all for opening your doors to me with all my questions and dreams. I celebrate with each contributor, friend, brother, family, my parents and ministers who gave me their love and friendship.

Alejandra, Joel and Daniel are the silent pillars of rock that envelope my soul, my spirit and my body everyday. They give me the opportunity to thank God and when I wake each morning, I see their love reflected in my life.

To the Author of life, for having sown the seeds of expression in me, which through the creative process, I can manifest art with the utmost passion. I have discovered that there are no borders between beauty and truth.

Carlos Cazares



To perceive. To warn. To notice. To observe. To see. To distinguish. To glimpse. To detect. To repair. To hear. To listen To smell. To taste. To charge. To pay in.  To collect. To receive. To comprehend. To understand. To discern. To intuit. To capture. To feel. To glance. To sight. To spot. To know.

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What we live is reality, but truth is something else. Reality is exile; truth is the way home.

In this work, exile is represented by reality, and truth is represented by the way home. Human history is a reality that is exposed to truth more and more. We live a daily utopia, gambling our hopes for a better world. Reality is melancholy, longing, an intense need to change what we live. It is as if we live in exile, hoping to return to the place of origin. Truth—always on the side of humanity—surpasses hope and faith; it is that eternity that has sustained the human race for centuries.

According to Kant in his Critique of Pure Reason, hope is not born out of a reassuring and optimistic worldview, but out of a suffering existence, and this produces a need to be rescued. Reality is the fact that civilizations fight for a better world, a world woven by finite ideologies and thinking that bring us to a constant failure in our experience, producing great frustration in the collapsed social movements before they saw the light of day. Truth is something else in front of reality.

The source of truth lies in life. It is that path that we only find in the divine language that is the sacrifice of love, which cannot be classified in a system of thought; it is a love that transgresses reason. Truth is the way home that resides us. No law can refute that we were created by love.

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A question is the climax of the search; a question stresses a limitation, it’s the preamble to freedom. The disciples followed Jesus because they acknowledged their human limitations. They were opening their limitations and lifting the barriers between faith and doubt.

Why does change stir our emotions?

Why does light bring us hope?

Why is love stronger than death?

Why doesn’t anyone know where the wind comes from or where it goes?

A question invites us to rest, the harmony between understanding and innocence, a lyrical expression in the confidence of disbanding fear and doubt. A question is the invitation to a relationship with Him who knows all things; with the Creator who stretches out his hands toward humanity. We seek to become human again and simultaneously long to rest in the fullness of our Maker.



1 At that time Michael, the great prince who protects your people, will arise. There will be a time of distress such as has not happened from the beginning of nations until then. But at that time your people—everyone whose name is found written in the book—will be delivered. 2 Multitudes who sleep in the dust of the earth will awake: some to everlasting life, others to shame and everlasting contempt. 3 Those who are wise will shine like the brightness of the heavens, and those who lead many to righteousness, like the stars for ever and ever. 4 But you, Daniel, roll up and seal the words of the scroll until the time of the end. Many will go here and there to increase knowledge.” 5 Then I, Daniel, looked, and there before me stood two others, one on this bank of the river and one on the opposite bank. 6 One of them said to the man clothed in linen, who was above the waters of the river, “How long will it be before these astonishing things are fulfilled?” 7 The man clothed in linen, who was above the waters of the river, lifted his right hand and his left hand toward heaven, and I heard him swear by him who lives forever, saying, “It will be for a time, times and half a time. When the power of the holy people has been finally broken, all these things will be completed.” 8 I heard, but I did not understand. So I asked, “My lord, what will the outcome of all this be?” 9 He replied, “Go your way, Daniel, because the words are rolled up and sealed until the time of the end. 10 Many will be purified, made spotless and refined, but the wicked will continue to be wicked. None of the wicked will understand, but those who are wise will understand. 11 “From the time that the daily sacrifice is abolished and the abomination that causes desolation is set up, there will be 1,290 days. 12 Blessed is the one who waits for and reaches the end of the 1,335 days. 13 “As for you, go your way till the end. You will rest, and then at the end of the days you will rise to receive your allotted inheritance.”




Apart from the true vine we are nothing, “I am the true vine and you are the branches, and my father is the husbandman,” Jesus said. I suppose it was music to the disciples’ ears, as Jesus spoke in parables, which was food for the soul. I always have thought that the Word of God nurtures us with life as the vine nurtures the branches. In this work, I use pigments, such as prussian blue, in order to give light to the vine and the branches delicately inlaid with gold leaf.

75″x48” Minerals, pigments and gold leaf on Canvas.



Every layer is one generation. Orient (East) 

(from the Latin oriens, participle of oriri: to appear, to be born).

Occident (West) (from the Latin occidens: the place where the sun sets).

Time can be revealed in each of the more than 20 layers of minerals, delicately applied on paper or canvas. I am a witness of the immediate effect between that which can be seen and that which cannot be seen, between intuition and the process in which I can perceive an image. When we read about the coming of the Lord “that it will be like lightning that comes from the east and flashes to the west,” one instant encloses thousands of years in generations of hope-filled history.   

“For as the lightning comes from the east and flashes to the west, so also will the coming of the Son of Man be.” Matthew 24:27.

Between the East and the West we find generations, centuries, cultures, ideologies and religions; history, philosophy, wars, immorality, joys and sadness; triumph, love, faith, the material world and the spiritual world. The East is the place where the sun rises and the West is where it sets. In the literal meaning of both terms there is a beginning and an end, a birth and a fall. The alpha and the omega.



Exodus from the Hebrew We-’eleh shemoth (“and these are the names”), or simply shemoth (“names”), or from Latin exodus (“departure” or “exit”), refers to the departure of the children of Israel from Egypt.

“The Last Exodus” is an emphasis on the miracle of liberation. The exodus, the exile of Israel, became a celebration that the Jewish people still carry in the heart of their culture: the Passover.

In this journey, I intend the work to be like a mirror that reflects the reality of a war of ideologies. It is a metaphor between the real and the surreal, where I imagine the night when the disciples and Jesus celebrated the Passover, during the last supper. These men, gathered around their teacher, Jesus, listened carefully about the reality they would see in the coming days—His departure—explained from the divine and prophetic perspective. In the natural words of their Rabbi: “I will not drink of this fruit of the vine from now on until that day when I drink it new with you in My Father’s kingdom.” I try to see the invisible from a spiritual angle. An exodus is simply a departure, a change of location. Jesus said, “I will not drink of this fruit of the vine from now on.” In these words we can clearly see a farewell, a visible departure in order to remain in us in an invisible way.

An exodus is the transformation of an entire nation. Here the Prophet spoke in plural: “until that day when I drink it new with you.” (We-’elehshemoth/and these are the names). The last exodus will be when an entire generation is set apart and taken to a new place and live in it for eternity.

Celebrating freedom is a joy rooted in Him who has known captivity. The Cross is the fullness of freedom, a triumph of hope manifested in a real way that transforms him who believes in the Son of God.

Matthew 24:31.



I finished this work just a few days before the tsunami hit Japan. On March 11, 2011, I woke up and turned on the TV to watch the news. The first images seared my eyes—I saw devastation and destruction. I felt small and fragile seeing how the huge waves wept away centuries of honor and culture. I thought of the thousands of lives that were lost every minute, and how one of the most modern civilizations in our planet was fragmented by its technology and communication in a matter of minutes. The nuclear industry became a prey of the world media; the strength of its economy questioned to whether it had provisions for the survivors and compensation for the lives lost.

When I saw that millenary culture being fractured, I sensed it would eventually be strengthened through this great lamentation. Destruction would become an opportunity for a more solid rebuilding. Faith and hope embraced this nation and the whole world. I decided to name this work “Wave of Grace”—a great wave of the Creator’s Grace will land on this nation. In similar manner, I thought about the minerals I use for this technique.

These minerals, such as the malachite, go through a process of destruction and crushing; they are mixed with animal skin, and turned into liquid. In the end they are applied on the surface of my canvas. In the process, and in-between every layer, a generation that leaves an impression can be perceived and the transparency of each one of these layers reveals a beauty that rips the passing of time. The azurite mineral powder with its qualities and colors are applied horizontally with significant amounts of water.  The scene is beautifully intertwined with time and work and leaves a print of the authors’ hand.

Libranos del 1272x320


The mighty God, even the LORD, hath spoken, and called the earth from the rising of the sun unto the going down thereof. Out of Zion, the perfection of beauty, God hath shined. Our God shall come, and shall not keep silence: a fire shall devour before him, and it shall be very tempestuous round about him. He shall call to the heavens from above, and to the earth, that he may judge his people. Gather my saints together unto me; those that have made a covenant with me by sacrifice. And the heavens shall declare his righteousness: for God is judge himself. Selah. Psalm 50:1-6.

33″x8” Minerals, pigments on paper.



The word “Y’shua” is “the Word,” and it is mentioned for the first time in Genesis 49:18 “I have waited for your salvation, (y’shua) O LORD!” The meaning of Y’shua is “salvation.” The root of the word is “yasha”, which means “saves.” Therefore, Y’shua is salvation. He not only gives us salvation, He is salvation. He is the Word. That is His nature, established from the beginning.

Every Hebrew word has a verbal root that sets the foundation for the other words that are related to it. The individual letters of the Hebrew alphabet were placed in divine order. Every letter of a word has a meaning and, when put together with others, they form a complete meaning. The words “saves,” “frees,” “preserves” and “helps” are words that translate into the word “yasha.”

The word “Yeshua” is made of three consonants. These consonants are yod, shin and ayin. Every one of these letters has a primitive form and meaning. The primitive form of the letter yod was like the form of a hand, and its meaning was “act” or “action.”  The primitive form of the letter shin was like the form a tooth and its meaning was “to consume” or “to destroy.” The primitive form of the letter ayin was like the form of an eye, and its meaning was “to set your eyes on” or “look towards.” The order of these letters helped the first Hebrews who observed the Torah to understand the full meaning of the word. In order to be saved, you had to start with an action, followed by destruction of that thing we were rescued from, and it ends with devotion, placing your eyes on that which set you free. (Taken from “Yeshua Shemi” Ministry.)

In the 18th century, Dostoyevsky presented the concept that if we allow our value system to end, much destruction will follow. On the other hand, the end of values is the idea of nihilism. Niestzsche brags about the coming of a new kind of man —An Ultraman— a new form of self; a celebration of the end of values. However, it is difficult to conceive the idea of human salvation coming from humanity itself. The way to preserve the spirit of man is through the Spirit of the Creator Himself. Him in us, from the perspective of re-humanization through Jesus Christ—the Savior in us—as shown in the writings of the artist Makoto Fujimora.

When I think about Yeshua I don’t think of a human face; I think of salvation.

“In the beginning was the Word, and the Word was with God, and the Word was God.” John 1:1.



For almost two years I have worked on this collection based in Matthew 24. It gives a visual interpretation of the prophecy described by Jesus. During this time, I have clearly seen a groan coming from the earth and from creation; nature is being frequently agitated. Ideologies are strengthened and are heralded by new movements; governments are reflected in their people; nations suffer; immorality and unrighteousness grow each day; evil multiplies; sin produces corrupt minds; and control and fear terrorize nations such as Mexico, Haiti, Chile, Egypt, Ivory Coast, Japan and Libya. These changes are more prevalent in these countries, while in others, it is perceived in a more subtle way.

Where sin abounds, grace also abounds, and the love of God will be shown, filling the hearts of men, women and children of the nations. Their cry turns into joy and the glorious presence of our Lord manifests His mercy on the earth.

“Why do you make me look at injustice? Why do you tolerate wrongdoing? Destruction and violence are before me; there is strife, and conflict abounds. Therefore the law is paralyzed, and justice never prevails. The wicked hem in the righteous, so that justice is perverted.”

Habakkuk 1: 3-4

72″x48” Minerals, pigments, inks, acrylic on paper.



Dallas Morning News Carlos WEB

Cathedral Arts program seeks to bring art, community together

Visual artist Carlos Cázares explains the technique behind his painting “The True Vine” to Betty Rosenthal (center) and Holly Greef during an event for the North Texas Day of Giving at St. Matthrew’s Cathedral Arts. The program brings art, music and dance performances into St. Matthew’s Episcopal Cathedral.